No example highlights this point more clearly than the Faenza Codex (FaenBC ; henceforth Faenza), an Italian manuscript containing the largest surviving. cerning the instrument(s) for which the Faenza Codex was intended: van den Borren thought it was for two instruments, although he did not specify which; two. KEYBOARD MUSIC OF THE 14TH CENTURY tents of the Faenza codex, on the limited basis of Roncaglia’s descrip- tion. Incomplete as this description.

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You can help Wikipedia by expanding it. Not all the music recorded here comes from the Codex Faenza itself, but the vocal selections are the original models of pieces that appear as instrumental arrangements in the manuscript. From Wikipedia, the free encyclopedia. Codex Faenza, Untitled I.

Pieza secular en italiano. Codex Faenza, Ave maris stella. Views Read Edit View history. A previous anthology centred on this collection, from the Ensemble Organum, appeared nearly ten years ago on Harmonia Mundi. The principal aim of the present study, therefore, is to supply the first full-colour photographic reproduction of Codex Faenza with a general reconsideration of its historiography, and with an in-depth codicological analysis of the source. II, Facsimile edition, pp.

In other projects Wikimedia Commons. Codex Faenza, Biance flour. Codex Faenza, Non ara may pieta questa mia dona Landini. This page was last edited on 13 Augustat This offers the attentive listener a way into an unfamiliar repertory, and rounds off the disc in a nicely balanced manner. The manuscript is still held at the Biblioteca Comunale di Faenzanear Ravennabut facsimiles are held in other libraries in Italy and overseas.


More Info A small, unadorned parchment booklet, the manuscript of the Biblioteca Comunale Manfrediana in Faenza encloses a stunning quantity and unique quality of information on 14th- and 15th-century Italian musical culture.

The works added by Johannes Bonadies are specified with different color in the list. Codex Faenza, Hont, paour, doubtance Machaut. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

The all-time greats Read about the artists who changed the world of classical music. Add product to compare codexx. Codex Faenza, Le ior Machaut. August Learn how and when to remove this template message. The Codex is composed of two distinct and independent copying layers.

Codex Faenza, Hont paur Machaut. Unsourced material may be challenged and removed.

The younger layer is an autograph by the Carmelite friar Johannes Bonadies, who in and used empty folios to add 16 music theory treatises, summaries or tables, and 22 mid- or late-fifteenth-century polyphonic settings, mostly composed by John Hothby, Bernardus Ycart, and Johannes de Erfordia, aside with some anonymous settings and a short Kyrie by Bonadies himself.

The works of the manuscript are detailed below. Again, this makes sense from the point of view of programming, but it also allows a fine cast of singers to make the most of this music. Articles lacking sources from August All articles lacking sources All stub articles. This article does not cite any sources.

Codex Faenza (Various) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Nuova serie, 3 Size I, Introductory study, pp. Please help improve this article by adding citations to reliable sources.


Year ISBN The minimum purchase order quantity for the product is 1. The Codex Faenza Faenza, Biblioteca Comunale abbreviated as ” I-FZc “, and sometimes known as Codex Bonadiesis a 15th-century musical manuscript containing some of the oldest preserved keyboard music along with additional vocal pieces.

ckdex This article about a music publication is a stub. Originally conceived as an exclusively instrumental collection, it consists for the most part of arrangements of vocal pieces by the leading composers of the codxe generation, Landini and Machaut among them.

A small, unadorned parchment booklet, the manuscript of the Biblioteca Comunale Manfrediana in Faenza encloses a stunning quantity and unique quality of information on 14th- and 15th-century Italian musical culture. Except for a direct copy made by Giovanni Battista Martini insix of the theoretical entries and as many as eighteen of the polyphonic compositions added by Bonadies are unique in Codex Faenza; and, perhaps more importantly, none of the fifty intabulations of the earlier layer survives in any other source.

Codex Faenza 117 (The). Instrumental Polyphony in Late Medieval Italy

This product is no longer in stock. Add to my wishlist. Skip to main content. Gramophone’s expert reviews easier than ever before. The codes in the fwenza column are specified in the “Discography” section.

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